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  • 088 - Who Is The Monster Installation, Paris - Thousand and One Night (Tusind og En Nat) - See Notes

  • 089 - Who Is The Monster Installation, Paris - Who Is The Monster on Canvas - Mixed Media on Unstret

  • 090 - Who Is The Monster Installation, Paris - Blackie's Dream - Mixed Media on Unstretched Canvas -

  • 091 - Who Is The Monster Installation, Paris - Prometheus - Mixed Media on Unstretched Canvas - 62x7

  • 093 - Who Is The Monster Installation, Paris - Wolves in Red on Potato Sack - Acrylic on Burlap - 38

  • 095 - Who Is The Monster Installation, Paris - Who Is The Monster on Potato Sack I - 40x42 in

  • 096 - Who Is The Monster Installation, Paris - Black Wolves on White Potato Sack - Acrylic on Burlap

  • 099 - Who Is The Monster Installation, Paris - Duality - Mixed Media on Canvas 63x72x2 in

  • 100 - Who Is The Monster Installation, Paris - Half Wolf, Half Labrador on Canvas - 38x62 in

  • 103 - Who Is The Monster Installation, Paris - Diptych Prometheus and Blackie - See Notes in File 08

  • 122 - Who Is The Monster Installation, New York - Who Is The Monster on Potato Sack II - Tempera on

  • 124 - Who Is The Monster Installation, New York - Wolf on Fresh Potatoes Sack II - Acrylic on Burlap

  • 125 - The Wolf in Acrylic on Coffee Sack - 28x19 in - 1986

With Who Is The Monster? Hanne embarked on a truly international adventure, inaugurating an installation in Paris that was soon followed by equally successful shows and performances in Copenhagen and New York. It included mixed-media paintings on unstretched canvases and burlap potato sacks, masks of handmade paper, sculptures of papier-mâché and chicken wire, and ink drawings on rice paper created by pouring ink directly from the bottle.

In this provocative installation, visitors were immediately confronted with the “Big Black Monster” in the form of Blackie, a phantom hybrid creature, half wolf, half Labrador. It was an encounter meant to tease the subconscious and seed the question that reverberated throughout an exhibit intended to trigger reactions and elicit answers which guests were then invited to write in the guestbook.

In Copenhagen, Hanne performed by painting monsters on the T-shirts of visitors, and in the East Village show, fifteen poets were invited to let the installation inspire their poetry and then encouraged to read it out loud at the exhibit closing, during which a dancer performed a monster dance.